Consider my fancy tickled... 3/19

Due to it being an all around shite week I haven't done much work pushing my current project further, therefore I don't really have anything to add about my personal projects. Planning on some writing this weekend, hopefully... On to what I found interesting about film this last week.

Avatar is truly one of those rare films (Matrix, Pulp Fiction) that will change films and how we watch them for years to come. Interesting article on the negative effect of 3D and movies.

In addition to the poster mash-up at the top of this post, here is a cool Jabba The Hutt mash-up.

Normally I do not like to discuss politics, religion, or sports... but the brain-trust that is the Floridian Republican House Leaders are wanting to cut tax-incentives for movies that do not live up to their ideas of traditional family values. That means if you're making a movie about homosexuals don't bring those GAYS to the Sunshine State. Gotta love a failure of separation of church and state.... Sorry Key West!

To wrap things up, I'm actually gonna leave you with a helpful article (yes, I read other film related sites than Perez Hilton!!) on professional tips from a camera operator. I've enjoyed being a DP on friend's projects, and grabbing the camera on my own projects, but being a DP is a highly technical job and I'm not sure if I'm ready for that life-consuming undertaking. Still it's a great read...

-b

Consider my fancy tickled...

Does one have a fancy? If so, how do you go about tickling it? While you consider this deep deep ponderance, here are a few items that piqued my interest recently. This is the first of an ongoing column of film-related posts that have nothing to do with me except I curated them and presented them to you.

The above picture is a response to John Krasinski being up for the lead role in the upcoming Captain America film.

There is a special level in hell for people who talk during movies and here is an article about the shusher and shushee. This phenomenon is particularly prevalent at the Century 20 in Daly City.

Up until today, I have never heard of the term "Manic Pixie Dream Girl." Wiki describes this stock character in a film as "that bubbly, shallow cinematic creature that exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures." Think Zooey Daschanel. Here is the AV Club's 16 Films Featuring MPDG.

For all you scriptwriters/film junkies, Rian Johnson (writer/director of Brick) posted the complete shooting script to the The Brothers Bloom online. Available FREE for download here.

Some of my friends started their own production company and have been making some gorgeous music videos as of late. Clean White Lines is the name of their joint and you'd be a fool not to follow them on their website and vimeo page. Good stuff guys... now please let me work with you! haha

-b

The first cast is stoned... or something like that.

I just finished writing a short film that happens to fall into the genre of the romantic comedy. I set out to write a story that involved two characters, one being a woman, and limiting myself to one setting/location. It's not completely finished and I'm sure there will be a couple more re-writes between now and shooting... and during shooting. However, I'm far enough along that I need to move on to the next phase of pre-production which includes location scouting and casting. Lucky for me, the lovely and talented Miss Jessica Sapick (see above) has agreed to jump aboard this lil' project of mine as the female lead. A bit about Jessica... she just got signed to an acting and modeling contract at Stars Agency (Congrats Jessica!!) and like myself is also from the Midwest. This will be my first time working with Jessica and probably her last time working with me! haha

From here I will begin looking at male actors to play opposite Jessica and start scouting video stores for a shooting location. There is a third role that needs to be filled but it is for a non-speaking part and worst comes to worst, I can just pull a Hitchcock and cast myself in the role. Not out of vanity reasons of course, but just pure necessity. Actually it's totally for vanity reasons. The only reason I am doing any of this is for fame, fortune, and glory... and world domination.

-b

Uncle Lazlo, father of Benjamin Linus...

SFSDF is the film school which I graduated from and being the kick-ass center of learning that it is, they allows students back in the door for all kinds of the things. Be it to use camera equipment, editing stations, rooms for audition/filming, etc. On top of all that goodness, they host the occasional mixer with a special guest or theme. You need a guest or a theme because drinking and talking about film just isn't enough right? WRONG! Seriously the guests and themes are amazing otherwise its just me and my friends standing around drinking beer and dropping lines from Evil Dead III: The Army of Darkness. (Give me some sugar baby!)

This last week's mixer was a conversation between John Gries and James Savoca. John had starred in a movie that James had written and directed so they were familiar with each other and their work, which was nice because it gave their conversation an open and laid-back feel. John was the "main" guest of the evening and if you aren't familiar with the name you will be with the face. Look at his IMDB page. It has ninety-five entries for acting alone! 95!! My favorite is Lazlo Hollyfield from the 80's classic Real Genius. (Side note: they wanted him to read for Kent) The focus of the night was being a character actor and the director/actor relationship. How they had the evening set up was that a clip played from a movie staring John and then discussion followed. Lots of funny hollywood anecdotes and really insightful nuggets on filmmaking.

Here is the list of notes that I scribbled down throughout the night. Sorry if they come off all stream-of-consciousness:

-During an audition, have actors read off-book.

-Move your actors around in scene. Give them action/something to do.

-After writing a character, give it to the actor and get out of the way.

-Be open to improve, but anchor the improve to the scene.

-if you learn your lines well be fore the scene, it opens you up to explore other avenues. Kinda like "know the rules before breaking them."

-If you start to fall behind, slow down!! Speeding up will only cause mistakes.

-Be economical with your camera angles.

-Find the physical truth, then the rest. How does a character walk, etc.

Great evening and left feeling rejuvenated if slightly tired as I was up past my-living-with-a-baby 8 o'clock bedtime.

-b