Brave New World

Dear friends and family at SFSDF,

I've decided to start seeing other people. It's not you, it's me...

While maintaining the priceless relationships that I've created with both the staff and alumni from the San Francisco School for Digital Filmmaking, I've decided it would be both healthy and worthwhile to start branching out into different communities of filmmakers in and around San Francisco. Staring locally, there is a network of filmmakers in my neighborhood of Bernal Heights centered around the Bernal Heights Outdoor Cinema. Tonight they are have a screening and meet/greet with local filmmakers at the newly renovated Bernal Heights Library. This is the first of their quarterly screenings and I am going to attend. The above flyer is for the event. After that, maybe start attending meetings for the San Francisco Film Society. Attend local film festivals. Submit my work to local film festivals. I really don't know actually. I'm just kinda making this up as I go as there really isn't a blue-print for what one should do post film school. If you know of one, please send it my way.

-b

*insert tampon joke here* -or- OMG YOU GUYS!!! THE IPAD IS COMING!!

The only thing I really know about the ipad is that I was really tired of hearing about it leading up to the announcement of it. So let's talk more about it, right? Right? Who's with me?

*crickets*

There have been some really cool filmmaking apps that have been released for the iphone, but that isn't what I am talking about now, BUT I will talk about at a later date. Excited?!?! As you should be. Both with that and my run-on sentence that started this paragraph. What I am covering today is how the ipad will help the filmmaker. Being that I still have trouble referring to myself as a filmmaker, I am going to pass the torch to to some much smarter and more experienced folks than me in the art of filmmaking and the aid of an ipad. (Yes that's correct, I am linking other blog entries to my blog. How lazy is that?)

Screenwriter extraordinaire John August on the ipad and screenwriting.

Fresh HDV and the ipad and creative types.

Enjoy.
-b

We've got to go back... to the FUTURE!

Greetings gentle reader. I've missed you. *tear-drop* As my friend (who I often want to punch in the junk) Rommy says, "this blog is an update FAIL." I originally started this as a way to chronicle my time in film school but the responsibilities of said school, work, pregnant wife, and household duties trumped my blog time. Well baby is now here, I have my fancy-dancy film diploma, and life is starting to revert back to a semblance of normality so I am going to update as often as possible. "What will you be droning on about Bucky?" you may ask. I've jumped back in to the world of screenwriting and independent filmmaking so I will chronicle that, but I will also be posting whatever I find interesting that is related to the world of film and filmmaking. There will be a few retroactive posts regarding some projects I've worked on, which include a day-shoot for a music video with Talib Kweli. Please feel free to send complaints and cool film related items my way. I will promptly ignore all complaints and post the cool film items as if I found them myself. Speaking of which, the above pic can be found here.

-b

Jokes n' jokes n' jokes...

The time was upon me. That's right, I filmed another short. We filmed in three locations (The Dogpatch, Bernal Heights, and Sunset District) all in the span of one day. For what we had to accomplish, everything went really smoothly and we finished on time. Three actors and a crew of seven. Lots of equipment. Food. etc. Filmming is just a lot of work. Period.

My short is a comedy about superheroes. The rehearsal went well. Location scouting was okay... not overly happy with all the spots. Costumes were so so. I had to rent and borrow as I have no idea how to sew. I do believe next go 'round I will look online or craigslist or whatever for a costume designer. Essentially, what I am trying to say is that I wasn't 100 percent happy with my preproduction work which is insanely important and I don't think I performed as well as I should have this time.

Everyone worked really well together but we did have some speedbumps, mostly with sound. Faulty equipment and loud natural sound was the bane of my existence. It's just one of the things where you work your hardest and hope for the best. My final scene is on a rooftop and my opening scene is in a working elevator. not the best spots to get good sound. Will find out when I listen during editing. Before I can jump in the editing room , I have some more film work to do on my classmates' shoots.

The Sounds of Science...

Super short week for class as we are starting production on our next short. In fact we only had one night of lecture and that was devoted to sound. We spent time discussing booms, lavs, mixers, etc. Then we went out in the field and captured dialog in a few different settings. That was it. The rest of my time I was supposed to fill working on pre-production but I didn't as I always procrastinate. Like an idiot. Production on my next short is just a few days away...

Everything in its right place.

Writing Lab was scheduled for Monday so I spent a big chunk of the night working on my short story proposal. I am going the narrative route and my challenge to myself is dialog and to quit using the word myself more than one time in a sentence and also to cease the use of run-on sentences. The one-line and paragraph pitch was what I worked on. Not to sound like a total egomaniacal douche-bag, but I really like the idea I have for my next short. Should be fun...

Tuesday night we began our Camera 3 lecture. Details, details , details. Essentially we opened the hood on our cameras just to see what those babies could do. Achieving the "film-like look" was the goal of the night, or at least it was for me. We spent a lot of time looking at camera settings and lenses. Interesting lesson with Stephen.

James was up next on Wednesday with another look at storytelling through screenplays. We spent a huge chunk of the night discussing the 3 act format for screenplays and how essentially every movie ever made falls into this structure. A lot of this information wasn't new to me as I had read it before in books devoted to screenwriting, specifically Syd Field's, but it was excellent to go over it again.

Thursday was pitches with a dash of group critique. I pitched a comedy involving super-heroes and it went over really well. It's always exciting and interesting to hear people's reactions to your ideas.

The last school day of the week was all about Directing! In fact the lecture was titled Directing. This was our very first lesson that was specifically devoted to the art of directing. All day lecture as well. For this exercise, both my class and the day class met in the large studio out at school with James and two actors. James took a script and worked with the actors doing the following: script read-thru, blocking, acting, camera placement, directing.

All of this made me a happy lad. I am dead serious when I say that 99 percent of the time none of this ever feels like "school" to me, which just re-affirms I am where I need to be.

The Challenge.

Out with the old and in with the new...

Project three is up and running for us and it is a challenge film. We get to choose whether or not to make a documentary or a narrative film and it is referred to as a challenge film as we are supposed to challenge ourselves with a certain aspect of filmmaking. Which is a little on the odd side as most all of filmmaking is a challenge. I choose dialog/screenwriting as the area I really want to hone in on.

We started off this go 'round with a lecture titled Producing 3. This is our first lecture on producing, so maybe you can explain to me as to why it is considered and titled the third? A mystery for the ages. Jeremiah led this lecture and I was enraptured. Simply put we covered the business side of filmmaking: SAG, Shooting on Location, Production Insurance, Music Rights, Stock Footage. SAG stands for Screen Actors Guild and they do have an office in San Francisco which we are now supposed to contact for our future projects. Shooting on location from a producers standpoint covers the logistics and permits of acquiring the permission to shoot on public and/or private land and will involve contacting the San Francisco Film Commission. Music and footage rights is rather self-explanatory... hopefully. Really great night of class. Just one of those nights where I left feeling happy that I am doin' what I do.

We went from desk work (Monday) to studio work (Tuesday). The learning exercise and lecture was geared towards lighting for movement. Our goal was to film a scene, with no break, where an actor pulls up in a car OS (off-screen...boom, dropping knowledge) walks around a corner down a small hallway, opens a door, enters a room, and sits in a chair. Therefore we had to make/simulate: moving headlights, hall-light, door-light, and natural lighting for a room. Great exercise. Something of interest, or something that I find interesting you last from your end point and work your way backwards.

Wednesday night was a movie and discussion class. Frankly, being the movie nerd that I am, i love these nights and wish we did them more often, but I understand that it takes away form lecture time. Movie screened... Bubba Ho-Tep. Bruce "gimme some sugar, baby" Campbell.

Thursday night was pitches with James, which sounds like a lame-ass sports show. I enjoy pitching and listening to and critiquing others pitches. It involves a lot of "group-think" which I believe is rather necessary in the film world. My pitch went really well and received the almighty Green Light! Dun-DUH!!!!!!

Saturday class cancelled due to a nasty flu bug rampaging through school... which I totally got. Ugh.