The Challenge.

Out with the old and in with the new...

Project three is up and running for us and it is a challenge film. We get to choose whether or not to make a documentary or a narrative film and it is referred to as a challenge film as we are supposed to challenge ourselves with a certain aspect of filmmaking. Which is a little on the odd side as most all of filmmaking is a challenge. I choose dialog/screenwriting as the area I really want to hone in on.

We started off this go 'round with a lecture titled Producing 3. This is our first lecture on producing, so maybe you can explain to me as to why it is considered and titled the third? A mystery for the ages. Jeremiah led this lecture and I was enraptured. Simply put we covered the business side of filmmaking: SAG, Shooting on Location, Production Insurance, Music Rights, Stock Footage. SAG stands for Screen Actors Guild and they do have an office in San Francisco which we are now supposed to contact for our future projects. Shooting on location from a producers standpoint covers the logistics and permits of acquiring the permission to shoot on public and/or private land and will involve contacting the San Francisco Film Commission. Music and footage rights is rather self-explanatory... hopefully. Really great night of class. Just one of those nights where I left feeling happy that I am doin' what I do.

We went from desk work (Monday) to studio work (Tuesday). The learning exercise and lecture was geared towards lighting for movement. Our goal was to film a scene, with no break, where an actor pulls up in a car OS (off-screen...boom, dropping knowledge) walks around a corner down a small hallway, opens a door, enters a room, and sits in a chair. Therefore we had to make/simulate: moving headlights, hall-light, door-light, and natural lighting for a room. Great exercise. Something of interest, or something that I find interesting you last from your end point and work your way backwards.

Wednesday night was a movie and discussion class. Frankly, being the movie nerd that I am, i love these nights and wish we did them more often, but I understand that it takes away form lecture time. Movie screened... Bubba Ho-Tep. Bruce "gimme some sugar, baby" Campbell.

Thursday night was pitches with James, which sounds like a lame-ass sports show. I enjoy pitching and listening to and critiquing others pitches. It involves a lot of "group-think" which I believe is rather necessary in the film world. My pitch went really well and received the almighty Green Light! Dun-DUH!!!!!!

Saturday class cancelled due to a nasty flu bug rampaging through school... which I totally got. Ugh.

The bird is in the oven...

Ahhh the week of Thanksgiving. Due to the holiday we have an abbreviated school schedule. Just two nights of class and the first was a work-at-your-own-pace Pre-Production Lab. We pretty much just goofed off this night and talked about docs for a minor part of the class. 

The second night was a completely different story. The class was led by a past studio who now works in the "industry." Daniel lights professionally and that is what he taught us. How to light. This is actually a rather elusive skill set to master. What Daniel had us do tonight was light three different rooms or "scenes." It was great practice. Which is what lighting boils down to, for me at least. Both the practice of setting up lights and training your eye to what looks the best. It is an art form and you will people talk about "painting with light." Good class tonight. 

Life ain't nothing but pitches and lighting...

I met the beginning of week 2 with a bit of trepidation. You see, the first night of class we had a pitch session for our first short film. Up until two days prior I had nothing. Nada, nathan, zil, zilch... Then I read an article in the paper about some loud "booms" awakening people in a San Jose neighborhood and based a short story on that. I took the beginning and added a more sinister story and viola, my first pitch. I was still nervous about it. Little did I know but we green-light our own pitch as a group. The group was moderated by James. We would present our pitch, vote as a group whether or not it should get the green-light to be made into a short, and if it doesn't then we vote whether or not the idea of the story could be worked into a short.

Our pitch had to be presented in both sentence and paragraph form. Here is my sentence pitch:
In the middle of the night, a woman must fight for her life against a madman who just smashed his way into her bedroom.

Nice & simple right? 2 characters, 1 room. (notice the 2 girls 1 cup set-up I just left you...) So what did the group think? I got the green-light! Not without notes of course. As it was, there wasn't much character development, just a plot driven story. Woman wants to survive encounter.

This brings us to the next class which was Screenwriting. This was an excellent class which taught us the basics of a screenplay. We take that knowledge and couple it with our short-story and make magic happen. Sounds easy enough...

A writing lab here, a camera review there, then boom! Lighting lecture and lab gets dropped on our collective asses. I really don't think my pen left my pad for hours. I took 12 pages of notes over lighting for film then we took said knowledge and set up lighting 6 different ways: Rembrandt, Short Loop, Broad Loop, Split, Rim/Backlight, & Paramount/Glamour/Butterfly. But do you want to know what I really learned today? I have no desire to do lighting for a living.

Now you know, and knowing is half the battle.